With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".

Canadian clarinetist François Houle in an international project dedicated to the late co-founder of the Vancouver International Jazz Festival, Ken Pickering, performed with Canadian expatriates, plus colleagues from New York City, Paris, Basel and Berlin: Marco von Orelli on cornet & trumpet, Samuel Blaser on trombone, Benoit Delbecq on piano, Michael Bates on bass and Harris Eisenstadt on drums.

With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".

Canadian improvising clarinetist François Houle and Swiss trumpeter Marco von Orelli are heard live at the Bird's Eye Jazz Club, in Basel, Switzerland, 2020 for eleven dialogs reminiscent of the work of John Carter and Bobby Bradford, though uniquely in their own modern language of chamber-oriented jazz through original compositions from both artists.

The Canadian trio of clarinetist Francois Houle, pianist Alexander Hawkins and drummer Harris Eisenstadt first met in 2014 for the Vancouver International Jazz Festival, taking several years to get them together again for this beautifully lyrical and sophisticated album of chamber jazz, with compositions from all three plus pieces by Steve Lacy, Andrew Hill and Charles Ives.

An early album from Vancouver clarinetist Francois Houle with frequent collaborators Tony Wilson (guitar) and Dylan van der Schyff (drums & percussion), performing original compositions and a unique version of Duke Ellington's "Frustration."

Inspired by the ice storm that ravaged large parts of Quebec and Ontario, "Au Coeur du Litige" is a radiophonic work consisting at its core of a series of solo clarinet improvisations.